I do not stage moments.
I arrive, quietly, and let the day write itself in light, in linen, in the tremor of a held hand.
One photographer, four cameras, a thousand frames distilled into roughly seven hundred, delivered in a linen bound archive and a private digital salon. I shoot a hybrid of medium format film and high resolution digital; the grain, the depth, the slight imperfection of silver halide remains my north star.
Read the commission notes →A four to eight minute editorial film, scored, color graded by hand, framed as a short documentary rather than a highlight reel. A second cinematographer captures candid sound, the toast that broke the room, the vow that wasn't written down, preserved on a separate audio reel.
Read the commission notes →For couples whose day belongs in print, I collaborate with Magnolia Rouge, Vogue Weddings, Once Wed and the like. Submission, art direction and the printed annual heirloom volume are included in my editorial commissions.
Read the commission notes →"They were the most invisible, and the most present, guests at our wedding. Three years on, I still cry at our film."
Camille C. / Provence
I accept twelve weddings per calendar year. A small number of dates may be held by deposit; I recommend reaching out at least nine months ahead of the wedding.